Espelho Das Águas
14 Bis
1981
Rankings
Why This Album Matters
Released in 1981, Espelho Das Águas represents a crucial chapter in 14 Bis's trajectory, consolidating the band's characteristic sound which amalgamates international progressive rock with the melodic and poetic richness of MPB and Clube da Esquina. As the Minas Gerais group's third work, this album deepened their already prominent musical identity, marked by elaborate arrangements, refined vocal harmonies, and introspective lyrics, positioning 14 Bis as a proponent of sophisticated Brazilian pop. One of the album's highlights is the inclusion of "Nos Bailes da Vida", an unprecedented partnership between Milton Nascimento and Fernando Brant, which became one of the greatest classics in the band's and MPB's repertoire. This emblematic song reinforces 14 Bis's strong connection to the Clube da Esquina universe, a movement of which the group is a direct heir, and underlines the album's ability to transition between the energy of rock and the lyrical and melodic delicacy of Minas Gerais music.
Context
The band 14 Bis emerged onto the Brazilian music scene in 1979, a vibrant period marking the final years of the civil-military dictatorship in Brazil, a context which allowed national rock to flourish and portray the aspirations of a generation. The group was formed by already experienced musicians, with stints in bands like O Terço (Flávio and Sérgio Magrão) and Bendegó (Hely Rodrigues and Vermelho), and collaborations with artists such as Lô Borges (Cláudio Venturini), all seeking to create a sound that united the influence of international progressive rock giants, such as Yes and Pink Floyd, with the rich tradition of Clube da Esquina. Sponsored by Milton Nascimento, a central figure of Clube da Esquina, 14 Bis secured a contract with the multinational EMI to release their debut album in 1979. Following the success of their first two albums, which had already spawned hits like "Canção da América", "Planeta Sonho" and "Caçador de Mim", the release of Espelho Das Águas in 1981 served to consolidate the group's artistic vision, deepening their musical and lyrical experimentation and affirming their originality in the Brazilian music landscape of the time.
Recording
Espelho Das Águas was recorded and released by the EMI label in 1981, continuing the partnership established with the band since their debut album. Although specific details about the studio or the production of this particular album are scarce, it is known that 14 Bis stood out for the care taken with arrangements and production quality in their early works, even considering the technical limitations of the time in Brazil. The line-up that recorded the album included Flávio Venturini on keyboards, acoustic guitar and vocals; Sérgio Magrão on bass, acoustic guitar and vocals; Vermelho on keyboards, acoustic guitar and vocals; Cláudio Venturini on electric and acoustic guitars and vocals; and Hely Rodrigues on drums and percussion. The diverse instrumentation and intricate vocal harmonies, characteristic of the band, were key elements in the album's sound concept.
Songs
The album Espelho Das Águas comprises eleven tracks which demonstrate 14 Bis's versatility and musical depth. In addition to the aforementioned "Nos Bailes da Vida", a jewel of the Milton Nascimento and Fernando Brant partnership that became a generational anthem, the album presents a rich tapestry of sounds. Songs such as the title track "Espelho Das Águas" (by Flávio Venturini and Vermelho), "Queima, Baby", "Razões do Coração" and "Doce Loucura" (a partnership between Flávio Venturini and Luiz Carlos Sá) explore the vocal harmonies and instrumental arrangements which are the group's trademark. The album also ventures into new rhythms and influences, with the insertion of Minas Gerais country elements in "Mesmo de Brincadeira" and a clear baroque inspiration in "A Qualquer Tempo", highlighting the constant pursuit of experimentation and the band's sharp poetic verve.
Legacy
Espelho Das Águas was fundamental in solidifying 14 Bis's reputation as one of the most sophisticated and influential bands in MPB and Brazilian rock of the 80s. Although specific sales data or chart positions for this album are hard to find, its critical and popular reception was positive, being praised for its "sophisticated pop that delivered what it promised" and for maintaining the high quality of its previous works. The album, particularly through "Nos Bailes da Vida", left an indelible mark on Brazilian musical culture, being a song frequently remembered and reinterpreted. The album is frequently cited among the band's first four works, whose successes are often performed in acoustic versions to this day, demonstrating its perennial quality and relevance. Its original LP editions, often in gatefold sleeves and with inserts, have become sought-after collector's items.