Y'Y

Amaro Freitas

2024

Cover of Y'Y
Top 100

Rankings

Why This Album Matters

Y'Y, the fourth album by pianist Amaro Freitas, represents a milestone in his discography and in contemporary Brazilian instrumental music. The work deepens Freitas' unique musical language, characterised by the innovative fusion of ancestral Brazilian rhythms, pianistic percussion, and the harmonic complexity of jazz. The album stands out as a work deeply rooted in themes of ancestry, nature, and spirituality, translating these inspirations into rich sonorities and engaging textures. Freitas uses the piano not only as a melodic instrument but also as a percussion ensemble, exploring prepared piano techniques and the polyrhythm that echoes drums and the pulse of the forest. Y'Y offers an auditory experience that is both contemplative and dynamically expressive, inviting the listener on a sonic journey that transcends traditional genre boundaries.

Context

Amaro Freitas, originally from Recife, Pernambuco, has been refining his musical identity since his debut album, Sangue Negro (2016), followed by Rasif (2018) and Sankofa (2021). In these previous works, he already explored the mixture of Pernambucan rhythms, such as maracatu and frevo, with jazz improvisation, developing a complex and muscular rhythmic style. For Y'Y, Freitas embarked on a 4,600-kilometre journey to Manaus, in the Amazon basin, in 2020. This immersive experience in the forest and contact with the Sateré Mawé indigenous community were crucial for the album's conception, directing his musical creation towards a realm of magic, possibilities, and a profound connection with environmental preservation. The title Y'Y, which means "water" or "river" in the Sateré Mawé dialect, reflects this homage to the forest and the rivers of Northern Brazil.

Recording

The album Y'Y was recorded partly at Estúdio Carranca, in Recife, Brazil, and at Maxine Studio, in Milan, Italy, with additional recordings in Los Angeles and Brooklyn. Production was handled by Amaro Freitas, Laercio Costa, and Vinicius Aquino, the latter also responsible for engineering and mixing, along with Rinaldo Donati on engineering. The album's sound is enriched by the participation of notable guest musicians. Shabaka Hutchings contributes flute on the tracks "Y'Y" and "Encantados", Jeff Parker on guitar on "Mar de Cirandeiras", Brandee Younger on harp on "Gloriosa", and the rhythmic section is complemented by Aniel Someillan on bass and Hamid Drake on drums on the track "Encantados". The use of prepared piano, whistles, and varied percussion were techniques employed to evoke the sounds of the Amazon rainforest.

Songs

The nine tracks of Y'Y are an ode to nature and the enchanted beings of the forest. The opening track, "Mapinguari (Encantado da Mata)", evokes a forest deity with shimmering piano phrases and soft sounds of rattles and cymbals. On "Uiara (Encantada da Água) – Vida e Cura", dedicated to the spirit of the "water mother" and the pink river dolphins of the Amazon, Freitas uses prepared piano with tape and e-bow to create cascading rhythms that simulate the sound of water. "Dança dos Martelos" demonstrates a chaotic introduction that transforms into an explosion of frantic phrases from the piano's right hand, channelling the energy of a storm, with the use of clothes pegs and Amazonian seeds for percussion. The title track, "Y'Y", with Shabaka Hutchings' flute, blends tribal chants and rhythms, seeking to translate the ancestral power of the meeting of waters. The album concludes with "Encantados", a celebration of the African diaspora with the participation of Hamid Drake and Shabaka Hutchings, described as a vibrant "jam" and an urgent summary of the album's message.

Legacy

Y'Y was widely acclaimed by critics, being described as a "transcendent", "engaging", "captivating", and "superb" album, which expands the vision of Brazilian jazz. The work is seen as the moment when Amaro Freitas fully reveals himself to the world, consolidating his position as a singular voice in instrumental music. Critics highlighted the album's accessibility, despite its complexity, and its ability to evoke profound emotions in the listener. The album has been recognised as a "decolonised interpretation" of Brazilian jazz, with the potential to redefine perceptions of what the genre can be. Its positive reception led to it being considered one of the best albums of 2024 by various publications, with some critics naming it one of the best records of the year.

Tracks

Credits

A&R

Kris Chen, Martin Anderson

Producer, Engineer, Mixed By

Vinicius Aquino

Producer, Management

Laercio Costa

Producer, Performer, Composed By

Amaro Freitas

Bass

Aniel Someillan

Drums

Hamid Drake

Flute

Shabaka Hutchings

Guitar

Jeff Parker

Harp

Brandee Younger

Engineer

Rinaldo Donati

Lacquer Cut By

Kevin Gray, Matthew Lutthans

Mastered By

Kevin Reeves

Art Direction, Design

Rob Lewis

Liner Notes

Ayana Contreras

Photography By

Helder Tavares

Photography By

Daniel Topete

Photography By

Julye Jacomel

Podcasts

Amaro Freitas: o alquimista da Brasilidade, mistura jazz com suas raízes para conquistar o mundo
Amaro Freitas: o alquimista da Brasilidade, mistura jazz com suas raízes para conquistar o mundo

Emoção Criativa · Pedro Garcia de Moura

1h 4min27 Nov 2024

Pedro Garcia conversa com Amaro Freitas, pianista e compositor pernambucano que está revolucionando o jazz brasileiro ao misturar ritmos como o maracatu, o baião e o frevo em suas composições. Amaro compartilha sua trajetória inspiradora, refletindo sobre a relação entre improvisação, identidade cultural e espiritualidade na música.Amaro revela momentos decisivos de sua carreira, desde a infância

Videos

Grandes Lançamentos de Março de 2024!

Som de Peso

Analyses

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