Antes Que Tu Conte Outra

Apanhador Só

2013

Cover of Antes Que Tu Conte Outra
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Why This Album Matters

Antes Que Tu Conte Outra, Apanhador Só's second studio album, released in 2013, represents a fundamental milestone in the trajectory of the band from Rio Grande do Sul and in contemporary Brazilian music. Distancing itself from the lyricism and sunnier tone of their debut album, this audacious work delves into an experimental, challenging, and deeply engaged sound, establishing the group in a vanguard position on the national scene. The album is a potent fusion of alternative rock, indie rock, and MPB, incorporating noises, 'scrap materials', and an inventive approach that challenges pop conventions. Considered by many to be one of the most courageous and provocative albums of its year, Antes Que Tu Conte Outra is a declaration of creative freedom. The band explores unusual sound textures, mixing conventional instruments with everyday objects such as small bells, cheese graters, cages, mobile phone interference, and even frying pans, expanding the limits of their own musicality. This experimentation is not gratuitous, but serves a narrative that addresses uncomfortable social issues, consolidating Apanhador Só as a relevant and instigating voice.

Context

Formed in Porto Alegre in 2003, Apanhador Só had already gained recognition with their eponymous debut album in 2010, which earned them the Açorianos Award in the Pop/Rock Album category. However, between their first and second albums, the band demonstrated a notable artistic restlessness, exploring alternative formats and expanding their sound language. In 2011, they released the 'Acústico-Sucateiro' project, featuring a repertoire performed with acoustic instruments and everyday objects, available on cassette tape. In 2012, the EP Paraquedas was released on 7-inch vinyl. These previous experiences with the use of 'scrap materials' and the search for new release formats paved the way for the boldness of Antes Que Tu Conte Outra. The album was conceived during a period of increased visibility for the band, which, according to its members, intensified the sense of responsibility regarding the message they wished to convey. The decision to finance the project via crowdfunding on the Catarse platform, raising over R$ 55 thousand with the collaboration of fans, reflects a growing trend in the independent music industry of the time, where public participation became crucial for the realisation of artistic projects.

Recording

The recording of Antes Que Tu Conte Outra was a collaborative process intrinsically linked to its crowdfunding financing, which garnered over R$ 55 thousand (with some sources citing R$ 59 thousand) through the support of approximately 1300 people. This collective financing model granted the band even greater creative freedom to explore new sounds and ideas. The album's production was handled by Zé Nigro, Gustavo Lenza, and Diego Poloni, with Lenza also credited for mixing and Felipe Tichauer for mastering. The band opted for a concise album, with all 12 tracks carefully planned not to exceed 5 and a half minutes, a counterpoint to the trend of long albums in the CD era. The tracks "Mordido" and "Cartão Postal" were the first to have their arrangements finalised and were intentionally chosen to open and close the work, respectively. The sound experimentation with everyday objects, a striking characteristic of Apanhador Só since 'Acústico-Sucateiro', was organically incorporated into the recording, utilising elements such as small bells, doorbells, and mobile phone noises. The album's visual identity was also meticulously conceived. The cover features actor and activist Zé da Terreira, from Porto Alegre, a figure chosen to dialogue with the album's themes. The song lyrics were handwritten by vocalist Alexandre Kumpinski for the booklet, and the 2014 vinyl edition, produced in partnership with NOIZE Record Club, stood out with a translucent red vinyl disc and a special graphic design project, which was even nominated for a Latin Grammy.

Songs

With its 12 tracks, Antes Que Tu Conte Outra delves into a more critical and cynical lyrical universe, moving away from the loving and saccharine themes of the previous work to focus on uncomfortable social and existential issues. The sound is marked by 'dirty guitars, unstable voices, and sober poetry', creating an atmosphere that transitions between calm and despair in an unexpected way. Several songs stand out for their inventiveness and thematic approach. "Mordido", the opening track, surprises with a distorted dubstep groove that transforms into urgent guitar chords and Radiohead-influenced soundscapes. It gained relevance by being used as a soundtrack for videos about the June 2013 protests, directly connecting with the desires for representation of that period. "Vitta, Ian, Cassales" features an incisive 'samba-rock' rhythm, while "Despirocar" reflects the monotony and stress of middle-class worker life with rapid vocals and almost claustrophobic instrumentals, echoing vocalist Alexandre Kumpinski's mantra: "Perhaps it's better to go completely mad". "Nado" is a prominent example of the band's sound experimentation, incorporating samples of slot machines, bicycle bells, and mobile phone interference to create a surreal sonic universe that complements its poetically enigmatic lyrics. "Líquido Preto" is a derisive parody of Coca-Cola, with bold lyrics that underscore the album's critical tone. The richness of sonic details and the depth of the lyrics make Antes Que Tu Conte Outra a complex and multifaceted work.

Legacy

Antes Que Tu Conte Outra achieved notable recognition from critics and the Brazilian music industry. In 2013, it was elected 'Best Popular Music Album' by the Paulista Association of Art Critics (APCA) and won 'Best Pop Album' at the Açorianos Music Award, where it was also nominated in the Show of the Year category. The album was consistently cited in various lists of the best albums of the year, establishing itself as one of the most impactful works of 2013. The album's repercussions transcended the national scene. The album's vinyl edition, released in 2014 by NOIZE Record Club as its first title, had Rafael Rocha's graphic design nominated for the 15th Latin Grammy, showcasing the work's visual and sonic excellence. The relevance of Antes Que Tu Conte Outra also manifested itself in its alignment with the social context of the time. The opening track, "Mordido", was used as a soundtrack for videos about the June 2013 protests, resonating with the population's feeling of lack of representation and amplifying the album's combative message. The album was widely praised by specialist critics, receiving positive reviews from publications such as Miojo Indie (9.2/10), Monkeybuzz (4/5), Rádio UFSCar (5/5), Território da Música (4/5), and Zero Hora (5/5). This critical reception and awards success consolidated Antes Que Tu Conte Outra as a turning point in Apanhador Só's career, being seen as an early and impressive maturation that cemented the band's name as one of the most significant in Brazilian independent rock.

Tracks

Credits

Producer

Diego Poloni, Zé Nigro

Composed By, Bass

Diego Poloni

Vocals

Diego Poloni

Bass

Diego Poloni

Organ

Diego Poloni

Mastered By

Felipe Tichauer

Mixed By

Gustavo Lenza

Recorded By

Diego Poloni, Zé Nigro

Videos

Caderno 2 - Apanhador Só - Antes que tu conte outra

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