Beach Samba

Astrud Gilberto

1967

Cover of Beach Samba
Top 100

Why This Album Matters

Released in 1967, Beach Samba is a studio album by the acclaimed Astrud Gilberto, featuring arrangements by Eumir Deodato and Don Sebesky. Although some critics consider it one of the artist's less impactful works for Verve in the 60s due to its more pop inclination, the album still offers an auditory experience that blends bossa nova with North American orchestral pop sensibilities. On this record, Gilberto's smooth, playful, and ethereal voice is the highlight, supported by lush instrumentation that includes notable collaborators such as Ron Carter, Toots Thielemans, Marcos Valle, and Claudio Slon. It is a work that, despite its pop orientation, manages to capture the relaxing and pleasant essence of beachy bossa nova.

Recording

Beach Samba was produced by Creed Taylor. The technical team included Brooks Arthur, Val Valentin, and Rudy Van Gelder as engineers. For reissues, Michael Lang coordinated, Suha Gur mastered, Aric Lach Morrison assisted with production, and Peter Pullman carried out the editing. The design was handled by Jack Anesh and David Krieger, with photography by Jerry Schatzberg and Chuck Stewart.

Songs

The track selection on Beach Samba is notable for its more pop approach, although some of these choices stand out positively. Among them, Tim Hardin's beautiful "Misty Roses" is particularly praised. Another highlight is the song "Não Bate O Coração", where Astrud Gilberto lets loose with confident and daring scats, a style she rarely explored before or after this album. The record also includes compositions by names such as Chico Buarque, Luiz Bonfá, and Marcos Valle.

Legacy

The album's critical reception, according to AllMusic's review by Richie Unterberger, awarded it three stars, noting its more pop inclination. However, Beach Samba achieved lasting recognition, being included in the influential book "1001 Albums You Must Hear Before You Die".

Rankings

Tracks

Credits

Arranged By

Don Sebesky, Eumir Deodato

Producer

Creed Taylor

Vocals

Astrud Gilberto

Bass

Julio Ruggiero, Ron Carter

Cello

Alan Shulman, Charles McCracken, George Ricci, Harvey Shapiro, Maurice Bialkin, Maurice Brown, Seymour Barab

Drums

Bobby Rosengarden, Claudio Slon, Grady Tate

Flute

Hubert Laws, Seldon Powell

French Horn

Earl Chapin, Jim Buffington, Ray Alonge, Tony Miranda

Guitar

Barry Galbraith, Marcos Valle, Toots Thielemans

Harmonica

Toots Thielemans

Harp

Margaret Ross

Harpsichord

Ben Aronov

Percussion

Alan Douglas, Dom Um Romao, Jack Jennings

Piano

Ben Aronov, Warren Bernhardt

Trombone

Tony Studd, Urbie Green, Warren Covington, Wayne Andre

Trumpet

Bernie Glow, Ernie Royal, Jimmy Nottingham, Marvin Stamm

Tuba

John Barber

Vibraphone

George Devens

Viola

David Mankovitz, David Schwartz, Harold Coletta, Richard Dickler

Violin

Arnold Eidus, Gene Orloff, George Ockner, Harry Katzman, Leo Kruczek

Whistling

Toots Thielemans

Woodwind

Bill Hammond, Hubert Laws, Phil Bodner, Stan Webb

Engineer

Val Valentin

Engineer

Brooks Arthur

Engineer

Rudy Van Gelder

Cover

David Krieger, Jack Anesh

Liner Notes

Stan Levine

Photography By

Jerry Schatzberg

Podcasts

076 Astrud Gilberto - Beach Samba

1001 Album Club · Birch

22 min·25 Oct 2018

Again we have another Samba / Bossa Nova Gilberto Album? Some of us find the 60's pop great and some of us wish the Gilberto's would just go away.

Analyses

Discogs

Beach Samba – Discogs

discogs.com