As Próximas Horas Serão Muito Boas
Cachorro Grande
2004
Why This Album Matters
Released in 2004, As Próximas Horas Serão Muito Boas is Cachorro Grande's second album and represents a watershed moment in the Gaúcho band's trajectory. This work consolidated the quintet on the Brazilian music scene, establishing their raw and authentic sound, rooted in rock and roll. Far from being just a sequel, the album marked a stylistic turning point, delving into elements of garage rock, hard rock, and psychedelia, which would become the group's trademarks. The album's visual identity, with its vintage or mod-style cover and booklet, already indicated the aesthetic and sonic proposal of a work that sought to reclaim the energy and attitude of classic rock, while also projecting it to a new generation. The release, in conjunction with Lobão's Outracoisa magazine, was a strategic move that ensured crucial visibility for the album, catapulting Cachorro Grande beyond the independent circuit and cementing their presence on the national scene.
Context
Before As Próximas Horas Serão Muito Boas, Cachorro Grande faced a period of frustration with the result of their debut album, released in 2001. There was a clear intention from the band to seek a "dirtier", more organic and less polished sound, in contrast to the "cleaner" production of the previous work. This pursuit of authenticity reflected the desire to imprint a sound identity more faithful to the energy of live shows. The early 2000s in Brazil was an effervescent period for independent rock, but also challenging in terms of record label structure. Cachorro Grande, with its independent spirit, navigated this scenario, often facing obstacles with labels that did not understand their sonic proposal. This resistance to succumbing to commercial pressures only reinforced the genuine character of the group.
Recording
The recording of As Próximas Horas Serão Muito Boas took place at Estúdio Bafo de Bira, in Porto Alegre, and was a process marked by the intentional pursuit of a rawer and more visceral sound. The band opted for a more "live" approach, with most musicians playing simultaneously and reduced overdubs. This technique aimed to capture the spontaneity and energy that the band displayed in their performances. However, this choice for authenticity and a less produced sound initially displeased a record label, which rejected the material and proposed re-recordings in the style of the debut album. The refusal generated tension within the band, but Cachorro Grande stood firm in its artistic vision, producing the album independently. The album was produced by the band itself, with Beto Bruno, Marcelo Gross, Alexandre Ticket, Alexandre Móica, and Leandro Bortholoacci credited for production.
Songs
As Próximas Horas Serão Muito Boas delivers straightforward, no-frills rock and roll, with the classic lineup of guitar, bass, drums, vocals, and piano. The album contains 14 tracks, extending for approximately 53 minutes, presenting a sequence of compositions that became notable. Songs like "As Coisas Que Quero Lhe Falar" and "Hey, Amigo" exemplify the album's contagious energy, with powerful riffs and distinctive vocals. The title track, "As Próximas Horas Serão Muito Boas", co-composed by Beto Bruno and Marcelo Gross, is a lyrical highlight, exploring themes of irony and self-deprecation. The lyrics depict a scenario of chaos and discomfort, where the protagonist, despite adversities, maintains a cynical optimism, a characteristic of Gaúcho rock. Other notable compositions include "Que Loucura!" and "Você Não Sabe Nada", both important for the band's discography.
Legacy
The release of As Próximas Horas Serão Muito Boas was decisive for Cachorro Grande, opening doors to national recognition that had previously been more restricted to the Gaúcho underground. The strategy of releasing the album inserted in Outracoisa magazine, conceived by Lobão, was fundamental for the band to reach a wider audience and become one of the leading names in national rock at the time. The album was widely recognised by critics as a work of great value and a classic of Brazilian rock, praised for its authenticity and energy. It not only consolidated Cachorro Grande, but also paved the way for the success of subsequent works, such as the album Pista Livre. The album's impact was so significant that, subsequently, the band received the Prêmio Claro de Música Independente in the "rock album" category, a testament to its relevance and influence on the music scene.
Rankings
Tracks
Credits
Leandro Bortholacci
Alexandre Móica, Alexandre Ticket, Beto Bruno, Marcelo Gross
Rafael Malenotti
Malásia
King Jim
Beto Bruno
Jerônimo Lima
LBPRO Produtora
Gabriel Azambuja
Marcelo Gross
Pedro Pelotas
Marcos Abreu
Alexandre Loureiro
Denise Gadelha
Books
Analyses
As Próximas Horas Serão Muito Boas – Wikipedia
Wikipedia, the free encyclopaedia
Resenha - As Próximas Horas Serão Muito Boas - Cachorro Grande
whiplash.net
Se você respondeu "sim", prometo a vocês que as suas próximas horas serão muito boas, escutando o novo álbum da banda gaúcha, Cachorro Grande.
Cachorro Grande: As Próximas Horas Serão Muito Boas (2004) Review #02 ...
acoisaminha.blogspot.com
Hoje voltaremos para 2004, um ano de eleições municipais, de olimpíadas, de vários momentos inusitados no futebol, e no meio de tudo isso nós tivemos mais um lançamento da banda, o segundo álbum de estúdio, intitulado "As Próximas Horas Serão Muito Boas".
Indicação de Álbum - As Próximas Horas Serão Muito Boas 2004 (465)
bastter.com
Essa autenticidade fica clara na diversão despreocupada do Cachorro Grande, que se lambuza na estética suja do rock simples e direto, pesado e alto, sim esse tem que ouvir com volume carregado.
Mosaicos Culturais #45: Após 20 anos, o revival do Cachorro Grande com ...
jornal.usp.br
A música que o Vitor estava ouvindo é do segundo álbum da banda As próximas horas serão muito boas. Lançado em 2004 junto com a revista Outracoisa, marcou sua entrada definitiva na cena musical nacional.
Discogs
As Próximas Horas Serão Muito Boas – Discogs
discogs.com