Muito - Dentro da Estrela Azulada

Caetano Veloso & A Outra Banda da Terra

1978

Cover of Muito - Dentro da Estrela Azulada
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Why This Album Matters

Released in 1977, Bicho is the tenth studio album and ninth solo effort in Caetano Veloso's prolific career, a record that stands out for its innovative sound fusion within the MPB landscape. The work is characterised by a rich musical tapestry, showcasing influences from African music, such as the Jùjú genre, and the vibrant rhythms of disco music, which dominated the charts at the time. This audacious combination resulted in a unique sound, reflecting Caetano's ability to absorb and reinvent genres. Bicho solidified its place as a landmark, revealing timeless classics that became pillars of Caetano's repertoire, demonstrating the singer-songwriter's profound sensibility and continuous quest for new artistic expressions.

Context

The conception of Bicho occurred after Caetano Veloso spent a significant month in Lagos, Nigeria, alongside Gilberto Gil. This immersion in African culture and musicality was decisive for the rhythmic and melodic experimentations present in the album, permeating each track with echoes of his experiences and discoveries.

Recording

The production of Bicho, released by the Philips record label, featured direction and orchestral arrangements by Perinho Albuquerque, who shaped the album's expansive sound. Recording and mixing were meticulously conducted by Paulinho Chocolate, with the assistance of Geraldo and Luis Claudio Varella, ensuring the technical and artistic quality of the work. The credits reveal the collaboration of a talented cast of musicians, with Caetano Veloso on lead vocals, acoustic guitar, and whistling. Perinho Santana and Perinho Albuquerque featured prominently on guitars, while Arnaldo Brandão and Moacyr Albuquerque took on bass. Percussion was handled by Djalma Corrêa and Bira da Silva, with Vinícius Cantuária on drums and backing vocals, and a brass section and choir that enriched the instrumentation.

Songs

Bicho is an album that solidified Caetano Veloso's career by featuring some of his most iconic songs. The record is home to timeless compositions such as "Odara", "Gente", "Tigresa", and "O Leãozinho", all becoming synonymous with the artist's work. The songs reflect the fusion of styles that characterises the album, where Caetano's lyrical inventiveness meets African rhythmic influences and the energy of disco music. This blend results in tracks that, despite their particularities, share a sonic and thematic cohesion, demonstrating the artist's compositional mastery.

Legacy

The repercussion of Bicho was notable, with its songs conquering the public and the success charts. Gal Costa's re-recording of "Tigresa" for her 1977 album Caras e Bocas reached an impressive 47th position among the most played songs of that year. In the same period, "O Leãozinho" also gained prominence, appearing in 91st position on the list.

Rankings

Tracks

Credits

Producer

Roberto Santana

Producer

Caetano Veloso

Backing Vocals

Dalvalice, Loalwa Braz, Nilza Maria, Sonia Burnier

Vocals, Acoustic Guitar, Semi-Acoustic Guitar

Caetano Veloso

Bass

Arnaldo Brandão

Drums

Vinicius Cantuária

Percussion

Bira Da Silva, Bolão, Marcos Amma

Piano, Electric Piano

Tomas Improta

Lacquer Cut By

Ivan Lisnik

Mixed By

Paulinho Chocolate

Recorded By

Jairo Gualberto, Paulinho Chocolate, Vitor Farias

Artwork

Arthur Fróes

Cover

Aldo Luiz

Photography By

Januário Garcia

Videos

Muito (Dentro da Estrela Azulada) | Caetano Veloso | Review e Faixa a Faixa

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Discogs

Muito - Dentro da Estrela Azulada – Discogs

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