Bicho

Caetano Veloso

1977

Cover of Bicho
Top 100

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Why This Album Matters

Bicho, Caetano Veloso's ninth solo work released in 1977 by Philips, represents a milestone in the artist's discography by embracing global sounds. The album is notable for its innovative fusion, incorporating the richness of African music, especially Jùjú, and the effervescence of disco music, which dominated the charts at the time. This stylistic blend gives the record a vibrant and danceable sound, whilst maintaining Veloso's characteristic lyrical depth and harmonic sophistication. Bicho stands out as an example of the singer's ability to absorb and reinterpret musical trends, creating a work that is simultaneously universal and profoundly Brazilian.

Context

The conception of Bicho was profoundly influenced by a significant experience in Caetano Veloso's life: his one-month stay in Lagos, Nigeria, alongside Gilberto Gil. This immersion in African culture and music prior to the album's recording is the primary source of the rhythmic and melodic influences that permeate the work.

Recording

The production of Bicho featured the direction and orchestral arrangements of Perinho Albuquerque, who played a fundamental role in the album's sonic conception. Paulinho Chocolate was responsible for the recording and mixing engineering, with the support of assistants Geraldo and Luis Claudio Varella. The production credits also mention PhonoGram's participation in recording the strings, as well as William for editing and Ivan Lisnik for cutting, indicating a team dedicated to various technical aspects of the process.

Songs

Bicho is an album that solidified several compositions in the gallery of Caetano Veloso's classics. Songs such as "Odara", "Gente", "Tigresa" and "O Leãozinho" emerged from this work, becoming fundamental pieces in his repertoire and in Brazilian popular music.

Legacy

The relevance of Bicho was quickly recognised, with some of its songs achieving great success. Gal Costa's re-recorded version of "Tigresa", for her 1977 album Caras e Bocas, featured as the 47th most played song of that year. Similarly, "O Leãozinho", another highlight from the record, secured the 91st position on the same play-count list.

Tracks

Credits

Producer

Perinho Albuquerque

Lacquer Cut By

Ivan Lisnik

Mixed By

Paulinho Chocolate

Cover

Caetano Veloso

Films

Books

Analyses

Bicho – Wikipedia

Wikipedia, the free encyclopaedia

vinylfanatics.com - Vinyl Record Reviews, News and Forum

vinylfanatics.com

In the sprawling catalog of Caetano Veloso's revolutionary career, 1977's "Bicho" stands as perhaps his most nakedly emotional and sonically adventurous statement—a raw nerve ending of an album that captures the Brazilian icon at his most vulnerable and creatively unhinged. While purists might argue for the historical significance of his Tropicália classics or the accessibility of later ...

Uncle Tomy Mostalas and His Music Review Farm: CAETANO VELOSO - Bicho ...

tomymostalas.blogspot.com

The song is "Odara" from the Caetano Veloso "Bicho" ("The Beast") album. "Odara" means, as far as I was able to understand it, "supreme beauty". In the song the singer and the world all become "Odara" - but I decided to omit the word itself from my robots-aided translation - for the sake of clarity.

Bicho: o álbum em que Caetano Veloso transformou dança em política

metropoles.com

With "Bicho", Caetano showed that dancing can also be political, and that the body, like the word, is a place of resistance. Today, decades later, the album is understood as one of the freest and most inventive expressions in his discography.

A tentativa de Caetano de unir Disco Music à África ancestral em 1977

metropoles.com

Released in 1977, "Bicho", Caetano Veloso's tenth studio album, was structured around two musical elements that, at first glance, appear disparate: African tradition and disco music.

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