Pela Paz em Todo Mundo
Cólera
1986
Why This Album Matters
Released in 1986, Pela Paz em Todo Mundo is the second studio album by the seminal Brazilian punk rock band Cólera, and represents an unquestionable landmark in the history of the genre in the country. The album stands out for subverting the aggressive and nihilistic stereotype of punk at the time, proposing a message of insurgent and radical pacifism, not merely naive or conciliatory. Through direct lyrics and a visceral sound, Cólera dared to defend peace as an act of political confrontation in a scenario of structural violence and inequality. The work is considered a watershed moment, marking the transition of national punk to a 'smarter' and more conscious phase. The São Paulo trio, formed by Redson (vocals and guitar), Pierre (drums), and Val (bass), brought enlightened critiques and emotional interpretations on themes such as anti-militarism, ecology, human rights, and self-management. This approach, which blended the urgency of class struggle with a melodic sensibility previously uncommon in the local scene, anticipated elements of melodic hardcore that would gain traction years later. The relevance of its message remains timeless, echoing the anxieties and questions of a generation.
Context
The album was released during a crucial period in Brazilian history, in 1986, when the country was experiencing the transition from military dictatorship to re-democratisation, a time of political and social effervescence. Concurrently, the global scenario was marked by Cold War paranoia and the rise of neoliberalism, which also influenced the youth of the era. In this context, the Brazilian punk movement, which had already emerged in the late 1970s, served as a tool for incisive criticism of censorship, repression, and exploitation. Cólera, founded in 1979, was already one of the most respected and active bands on the scene, giving voice to the working-class and peripheral youth of São Paulo. Pela Paz em Todo Mundo consolidated this trajectory, expanding punk's thematic horizon by addressing issues of global reach.
Recording
Pela Paz em Todo Mundo was independently released by the Ataque Frontal label in 1986, a common characteristic of the underground scene at the time. The album's production was handled by Devil Discos, highlighting the do-it-yourself (DIY) spirit that was the essence of punk. The recording and mixing engineers included Zé Luis, Edu, Nico, and Redson himself, the band's vocalist and guitarist, which demonstrates the group's artistic control and autonomy over their work. A notable detail of the original LP pressing is that it was accompanied by the Universal Declaration of Human Rights and a manifesto titled Archaeological Record of the 20th Century, both written by the band itself, reinforcing the ideological depth of the work. The album was later remastered by Fernando Sanches in 2016, under the EAEO Records label, ensuring its perpetuation for new generations.
Songs
The fourteen tracks of Pela Paz em Todo Mundo are a manifesto of social and existential consciousness, with direct lyrics free from elaborate metaphors, crafted to be understood by everyone. The band explored a range of themes, including social injustice, human rights, pacifism, criticism of political manipulation, environmental devastation, and the complexities of working life in the metropolis. Songs like "Medo", "Funcionários", "Direitos Humanos", and "Vivo na Cidade" became anthems of urban revolt and reflection. The title track, "Pela Paz", is particularly emblematic, highlighting global violence, social indifference, and the perpetuation of the cycle of brutality between generations. The chorus "Mas quem se importa? Eu me importo" highlights the band's engaged stance in contrast to apathy. Vocalist Redson, the main composer, possessed a unique sensibility for translating complex feelings into simple and impactful verses. The sound is characterised by Pierre's distinctive drum beat, influenced by bands like U.K. Subs, The Clash, and Stiff Little Fingers, which lends unique vigour and urgency to the compositions.
Legacy
Pela Paz em Todo Mundo achieved remarkable success for an independent release within the Brazilian underground scene, selling approximately 85,000 copies of its original edition. Its impact transcended national borders, leading Cólera to tour Europe in 1987, making them the first independent Brazilian band to accomplish such a feat. The album's lasting impact is evidenced by its critical recognition, in July 2016, Rolling Stone Brasil magazine named it the 2nd best punk rock album in Brazil. "Pela Paz em Todo Mundo" not only consolidated Cólera's success but also left an indelible mark on the national punk scene, inspiring countless young people to reflect on the social and political issues of their time and to find a voice of protest and hope in music. Its message and sound remain relevant, vibrant, and current, attesting to its importance in Brazilian discography.
Rankings
Tracks
Credits
Ataque Frontal Records
Val Pinheiro
Pierre
Redson
Eduardo Santos, Nico Bloise, Redson, Zé "Heavy" Luiz
Cólera
Cólera, Roberto Peixoto
Marcelo Mega, Yang
Podcasts
Obra Fechada · Marcelo Fonseca
Olá a todos e todas, eu sou Marcelo Fonseca e esse é o Obra Fechada! Um podcast sobre livros, discos e audiovisuais e que recebe semanalmente pessoas que também apreciam muito esses discos, livros e audiovisuais. Em tempos anti-ciência, anti-conhecimento, dominado pelo achismo e senso comum, devemos nos apegar às diferentes formas de aprender e de trocar experiências. Quando o ódio se normaliza, a
Books
Analyses
Pela Paz em Todo Mundo – Wikipedia
Wikipedia, the free encyclopaedia
Cólera - "Pela Paz em Todo Mundo": 40 anos do pacifismo como insubordinação
rockonboard.com.br
Em 1986, quando o Brasil ainda aprendia a respirar fora da asfixia da ditadura e o mundo se equilibrava entre a paranoia nuclear e o neoliberalismo nascente, o Cólera lançou um disco que parecia contradizer o próprio estereótipo do punk: "Pela Paz em Todo Mundo".
Cólera - Pela Paz Em Todo o Mundo (1986) | cenaindie
cenaindie.com
Lançado em 1986, 'Pela Paz Em Todo o Mundo' é o segundo álbum de estúdio do Cólera e representa um ponto de virada na trajetória da banda e do punk brasileiro. Diferente de trabalhos anteriores, este álbum apresenta músicas mais rápidas, melodias elaboradas e letras com forte teor crítico e engajamento social.
A Importância do álbum "Pela Paz" do Cólera - Portal C3
portalc3.net
Em tempos de polarização e conflitos, o álbum permanece relevante, inspirando novas gerações a lutar por um mundo mais justo e pacífico. Este disco não é apenas um capítulo na discografia do Cólera, mas um manifesto atemporal pela paz, cuja relevância cultural e política continua a ressoar.
LP clássico do punk nacional, Pela Paz em Todo Mundo, do Cólera, é ...
istoe.com.br
Quando lançado, em 1986, o segundo álbum de estúdio do Cólera, Pela Paz em Todo Mundo, não apenas marcou a trajetória da banda, mas também do underground nacional.
Discogs
Pela Paz em Todo Mundo – Discogs
discogs.com