Academia de Danças

Egberto Gismonti

1974

Cover of Academia de Danças
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Why This Album Matters

The album Academia de Danças, although not specifically detailed in the text, fits into Egberto Gismonti's effervescent creative period in the 1970s, a phase of intense dedication to instrumental music and sonic research. During this time, Gismonti explored the frontiers of Brazilian popular and folk music, incorporating choro and investigating the possibilities of the eight-string guitar and flute, whilst also venturing with synthesisers under the influence of contemporary European music. His work from this era is marked by a profound interest in the roots of Brazil, including the study of indigenous music, demonstrating a multifaceted and innovative approach to musical composition and performance. This fusion of erudite, popular, and experimental elements defines the style that made him an icon, and Academia de Danças reflects this comprehensive artistic vision.

Context

Before the release of Academia de Danças, Egberto Gismonti had already established a rich and diverse musical trajectory. Born into a family of musicians and with an erudite education at the Conservatório Brasileiro de Música, he delved into Brazilian popular and folk music. In the late 1960s, after participating in festivals and releasing his first album, Gismonti deepened his studies in France with masters such as Jean Barraqué and Nadia Boulanger, immersing himself in dodecaphonic music and musical analysis. In the 1970s, his focus shifted almost exclusively to instrumental music. The innovation of his style and the hesitation of Brazilian record labels led him to seek European imprints, initiating a prolific phase of experimentation and sonic research that would define his career and the production of albums such as this one.

Tracks

Credits

Arranged By

Egberto Gismonti

Conductor

Mario Tavares

Music Director

Lindolfo Gaya

Producer

Geraldo E. Carneiro

Written-By

Egberto Gismonti, Geraldo E. Carneiro

Vocals

Dulce Bressane

Arco Bass

Juan Roberto Capobianco, Paul Kern

Bass

Luiz Alves

Drums

Robertinho Silva

Electric Piano, Organ

Tenorio Jr.

Flugelhorn

Marcio Montarroyos

Flute

Danilo Caymmi, Mauro Senise, Nivaldo Ornelas, Paulo Guimarães

Piano, Electric Piano, Guitar, Flute [Indian], Synthesizer, Organ, Whistle, Vocals

Egberto Gismonti

Trombone

Edmundo Maciel

Trumpet

Darcy Da Cruz

Design Concept, Design

Lula Lindenberg

Videos

Egberto Gismonti - Academia de Dança - O Som do Vinil

DIOGO F. de Freitas

Books

Analyses

Resenha - música #3 - Academia de Danças, de Egberto Gismonti, 1974.

overborragicoblog.blogspot.com

Academia de Danças, from 1974, his eighth studio album and the last one released by the Odeon record label, is one of the most important works of his career. Egberto poured everything he had learned about music into this album.

MUSICA&SOM: Egberto Gismonti - Academia De Danças (1974)

tabernanovostempos.blogspot.com

Egberto Gismonti managed to transcend all geographical and cultural barriers, making it impossible for his music to be categorised into just one genre. His music is influenced by the musical styles he listened to, such as jazz, rock, dance, folklore and classical music.

Por Trás Da Vitrola: Egberto Gismonti - Academia de Danças [1974]

portrasdavitrola.blogspot.com

I am another one of those who owe a lot to this LP and to Egberto Gismonti's music - Academia de Danças is a watershed moment in our lives - it realigned perception, freed our ears and broke down barriers that pop culture erects and which prevent us from being artistically free.

O Som do Vinil: Álbuns de 1974 - Episódio: Academia De Dança - Egberto ...

canalbrasilimprensa.com.br

Synopsis: In the second part of the programme, Egberto Gismonti and other musicians talk about the production of "Academia De Dança", the influences and the impact of one of the most sophisticated and distinctive albums of its time.

Egberto Gismonti - Academia De Danças | ProJazz.net

projazz.net

Academia De Danças is a seminal studio album by Brazilian multi-instrumentalist and composer Egberto Gismonti, originally released in 1974. A blend of jazz fusion, MPB (Música Popular Brasileira), and classical textures, the album is widely considered a watershed moment in Gismonti's career.

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