Elton Medeiros

Elton Medeiros

1973

Cover of Elton Medeiros
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Why This Album Matters

The album Elton Medeiros, a landmark in the sambista's discography, is notable for featuring "Pressentimento", one of the most emblematic compositions by Élton Medeiros and Hermínio Bello de Carvalho. This 1973 debut work introduced to the public a song that would become a samba classic, revealing the sophistication and melodic depth characteristic of Medeiros's work. Although the Wikipedia text primarily focuses on the trajectory of the song "Pressentimento", its inclusion as the third track on this record underscores the album's relevance as a launch platform for a musical piece of such magnitude in the Brazilian samba scene.

Context

The creation of "Pressentimento" in 1968 dates back to the frequent gatherings at the apartment of poet and music producer Hermínio Bello de Carvalho, in Catete, a haunt for various artists and intellectuals. It was in this effervescent environment that Hermínio, inspired by the structure of Carlos Lyra's "Feio Não É Bonito", proposed the partnership to Élton Medeiros, then a former gafieira trombonist and public administrator, thus initiating the composition that would mark both their careers.

Recording

The version of "Pressentimento" featured on Elton Medeiros's debut album included a team of notable instrumentalists. Dazinho, Elizeu Felix, Geraldo Sabino, and Marçal were responsible for the rhythm section, while Dininho played the double bass and Jonas Pereira da Silva played the cavaquinho. The 7-string guitar, a fundamental instrument in samba, was played by Dino 7 Cordas, lending a rich and authentic sound to the track.

Songs

The song "Pressentimento" is an example of the compositional mastery of Élton Medeiros and Hermínio Bello de Carvalho. Its melodic structure, conceived by Medeiros with an introduction and two parts, presents a sophisticated alternation between major and minor modes, starting in A major, moving through A minor, and exploring C major and C minor in the second part. Hermínio's lyrics, notable for their unrhymed verses, delicately evoke the expectation and intuition that precede the arrival of a new love, with passages like "Vem meu novo amor / vou deixar a casa aberta" and "Tudo faz pressentimento / que este é o tempo ansiado / de se ter felicidade".

Legacy

The impact of "Pressentimento" solidified after its participation in the Bienal do Samba, where it secured third place, performed by Marília Medalha. The song was extensively re-recorded by a constellation of great names in Brazilian music, including Marília Medalha herself, Elizeth Cardoso, Elza Soares, Alaíde Costa, Zezé Gonzaga, Roberto Silva, MP4, and Quarteto em Cy, in addition to being individually performed by its own authors. These multiple recordings attest to the work's relevance and recognition, establishing it as one of the great samba classics.

Rankings

Tracks

Credits

Arranged By, Conductor

Cristóvão Bastos, Orlando Silveira

Co-producer

Paulinho Da Viola

Executive-Producer

Milton Miranda

Producer

Lindolfo Gaya

Podcasts

1973 - Pessoal do Ceara, Elton Medeiros, Edu Lobo e João Donato e Eumir Deodato

PODCAST MUTANTE · Bode da Mutante

10 min·29 Dec 2023

1973: O Som de uma Era Brasileira - Edição limitada – 50 anos, o melhor de 1973. Embarque conosco em uma viagem musical única e nostálgica de volta a 1973, um ano repleto de música que marcou gerações no Brasil. Nosso programa especial, intitulado '1973: O Som de uma Época Brasileira', mergulhará fundo nos álbuns que definiram aquele momento no cenário musical brasileiro. Exploraremos os 50 álbuns

Films

Books

Analyses

Discogs

Elton Medeiros – Discogs

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