Elza Soares

Elza Soares

1974

Cover of Elza Soares
Top 100

Why This Album Matters

Elza Soares, released in 1974, marks a crucial moment in the discography of the iconic Brazilian singer, being her first work for the Tapecar record label. Produced and arranged by Ed Lincoln, the album stands out as the beginning of a new artistic phase for Elza. Its relevance is underlined by specialised critics, who point to it as the best album of her output for Tapecar. The album is notable for the quality of its repertoire, which, under Lincoln's direction, offers a glimpse into Elza Soares' versatility and interpretive power. This release represents not only a change of label but also the affirmation of her musical identity within a new phonographic industry landscape.

Context

Before Elza Soares, the singer spent almost 15 years and released four albums with the Odeon record label. However, her trajectory at Odeon was marked by growing dissatisfaction, mainly due to the priority the label began to give to samba interpreted by Clara Nunes. Elza's frustration reached its peak when the repertoire that had been selected for one of her albums was, unexpectedly, transferred to Clara Nunes. This situation motivated Elza Soares' decision to leave Odeon and sign with Tapecar, initiating a new stage in her career, which would yield four albums between 1974 and 1977, with Elza Soares being the inaugural release of this partnership.

Recording

The musical production and arrangements for Elza Soares were entirely conducted by Ed Lincoln. Additionally, the album's visual aesthetic also drew attention, with a cover that presented Elza Soares with a strongly Afro-influenced appearance, an aesthetic detail that echoed Clara Nunes' success and visibility at the time.

Songs

The album's repertoire, praised for its quality, included songs such as "Bom dia, Portela", "Pranto Livre" and "Meia noite já é dia". The curation of the tracks, combined with Ed Lincoln's arrangements, contributed to the work's positive reception.

Legacy

Initially released in 1974 by Tapecar, Elza Soares featured the song "Não É Hora de Tristeza" as its standout single. The album was well received by critics, with Mauro Ferreira giving it a rating of 3.5 out of 5 stars and highlighting it as the best of the singer's period at Tapecar, largely due to the quality of its repertoire. Years later, in mid-1977, the album was re-released on the Spanish market under the title Ritmos de Brasil, credited to Elza Soares and Ed Lincoln. More recently, in April 2021, the work gained new life with its release on digital platforms, distributed by Deckdisc, ensuring its accessibility to new generations of listeners.

Rankings

Tracks

Credits

Arranged By, Conductor

Ed Lincoln

Producer

José Xavier

Supervised By

M. V. Camero

Engineer

Ary Perdigão

Lacquer Cut By

Américo Marques Pinto

Cover

Randall Produções

Management

Paschoal Perrota

Photography By

Ektone

Videos

Elza Soares (1972-1974) | Caravana do Delírio | Alta Fidelidade

Alta Fidelidade

Films

Books

Analyses

Discogs

Elza Soares – Discogs

discogs.com