Francis Albert Sinatra & Antonio Carlos Jobim

Frank Sinatra e Tom Jobim

1967

Cover of Francis Albert Sinatra & Antonio Carlos Jobim
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Why This Album Matters

Francis Albert Sinatra & Antonio Carlos Jobim, released in 1967, represents a landmark in the discographies of both artists, uniting Frank Sinatra's iconic voice with Tom Jobim's melodic genius. This album is an extraordinary collaboration that delves into the richness of bossa nova, presenting both acclaimed compositions from the genre and classics from the 'Great American Songbook' reinterpreted with bossa nova arrangements. The delicacy of Claus Ogerman's arrangements and the mastery of those involved resulted in a serene and sophisticated work, standing out for its subtle and textured approach. The fusion of the American crooner with the Brazilian musical style not only celebrated bossa nova but also created a work of rare beauty, appreciated for its depth and musical elegance.

If the bossa nova movement had only produced this album, it would already be fully justified.

Antônio do Amaral Rocha · Rolling Stone Brasil

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Context

By 1967, bossa nova was already enjoying great popularity among jazz and traditional pop audiences, but Frank Sinatra had not yet extensively explored Brazilian-influenced material. Sinatra, therefore, decided to record an entire bossa nova album with the genre's principal composer, Antonio Carlos Jobim. Jobim, in turn, was at the epicentre of a global bossa nova fever, driven by the success of Getz/Gilberto. For many in Brazilian music, the collaboration with Sinatra was a validation and the culmination of long-cherished dreams in the clubs of Rio. Curiously, Jobim had to await Sinatra's return from a holiday in Barbados, where the American singer was on a mutually agreed 'break' from his marriage to Mia Farrow, before the recording sessions began.

Recording

The album was recorded on 30th January and 1st February 1967, at United Western Recorders, in Hollywood, Los Angeles. The session featured Frank Sinatra on vocals and Antonio Carlos Jobim on piano, guitar, and backing vocals. Claus Ogerman was the maestro and responsible for the arrangements, conducting a studio orchestra. Dom Um Romão contributed drums, adding to the authentic Brazilian vibe. Other musicians and lyricists, such as Al Viola (unofficially credited, due to a difficulty Jobim had on the track 'Change Partners'), Aloysio de Oliveira, and Ray Gilbert, were also present at the sessions, ensuring the authenticity and quality of the production.

Songs

Francis Albert Sinatra & Antonio Carlos Jobim features a careful selection of songs, with seven original compositions by Jobim and three classics from the "Great American Songbook" rearranged in the bossa nova style. Highlights from the American songbook in bossa nova attire include "Change Partners", "I Concentrate on You", and "Baubles, Bangles and Beads". Jobim's compositions include classics such as "The Girl from Ipanema", "Dindi", "How Insensitive" ("Insensatez"), "Quiet Nights of Quiet Stars" ("Corcovado"), and "Meditation" ("Meditação"). Sinatra demonstrated remarkable respect for Jobim's compositions, singing softly and with restraint so as not to detract from the subtlety of the songs. Sinatra's interpretation alternates English with Jobim singing in Portuguese, creating a true collaboration that enriches the listening experience.

Legacy

The album achieved commercial success, reaching position 19 on the pop charts and remaining on the Billboard list for 28 weeks. In 1968, Francis Albert Sinatra & Antonio Carlos Jobim was nominated for the Grammy for Album of the Year, although it lost to The Beatles' acclaimed Sgt. Pepper's Lonely Hearts Club Band. The album's success led to a sequel, Sinatra-Jobim, recorded in 1969 and briefly released in 1970, but withdrawn from the market at Sinatra's request due to concerns about its sales potential. Many of these songs were later incorporated into the 1971 album Sinatra & Company. In 1979, a compilation titled Sinatra-Jobim Sessions was released in Brazil, compiling the work of both artists, and in 2010, Sinatra/Jobim: The Complete Reprise Recordings offered a comprehensive compilation of the sessions. The album's impact is long-lasting, considered by many to be one of Sinatra's most rewarding works of the 1960s.

Rankings

Tracks

Credits

Arranged By, Conductor

Claus Ogerman

Co-producer

Ray Gilbert

Producer

Sonny Burke

Vocals

Frank Sinatra

Drums

Dom Um Romao

Guitar, Vocals

Antonio Carlos Jobim

Engineer

Lee Herschberg

Art Direction, Photography By

Ed Thrasher

Liner Notes

Stan Cornyn

Photography By

John Bryson

Podcasts

092 Francis Albert Sinatra & Antonio Carlos Jobim

1001 Album Club · Birch

21 min·20 Dec 2018

By 1967, bossa nova had become quite popular within jazz and traditional pop audiences, yet Frank Sinatra hadn't attempted any Brazil-influenced material. Guess what happens next...

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3000 Best Albums [1953] Francis Albert Sinatra and Antonio Carlos Jobim (1967) Mini Album Review

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