Acústico MTV

Jorge Ben Jor

2002

Cover of Acústico MTV
Top 100

Why This Album Matters

Acústico MTV represents a milestone in Titãs' trajectory, by proposing a radical shift in their sound and artistic approach. Known for their punk rock essence, the band reinvented itself by embracing orchestral arrangements and an unplugged format, moving away from conventional rock to explore a completely different musical path. This boldness demonstrated the group's versatility and its ability to transcend expectations, redefining its sonic identity. The album was conceived as a creative challenge for Titãs, who sought to prove their adaptability without compromising the quality of their work. Far from being merely a commercial ploy, the initiative allowed the band to broaden its audience, recapture radio airplay, and celebrate its fifteen-year career with an innovative proposal. The result is a work that demonstrates Titãs' artistic maturity, capable of transforming themselves and remaining relevant in the music scene.

Context

Prior to the release of Acústico MTV, Titãs were facing a period of crisis and had even resisted adhering to the 'unplugged' format for years. The band was persuaded by the record label and MTV, who highlighted the project's international success, but imposed the condition that the performance be put together in their own way. The label's president, André Midani, expressed scepticism, doubting the group's ability, with its 'essence of a punk rock band', to perform a style closer to 'bossa nova'. This album also marked the return of Titãs' partnership with producer Liminha, who had worked with them until Õ Blésq Blom, and with whom they had already reconnected during the recording of the single 'Pela Paz'. The then vocalist and bassist Nando Reis believes that Titãs' project initiated the trend of special guests at shows in the Acústico MTV series.

Recording

The album Acústico MTV was recorded live on 6 and 7 March 1997, at Teatro João Caetano, in Rio de Janeiro. The performance was broadcast by MTV Brasil on 22 May of the same year, resulting in the production of a CD and a VHS, with the DVD being released later in 2002. For the conception of the brass and wind arrangements, the group collaborated with Jaques Morelenbaum. For rehearsals, the septet rented a house in Granja Viana, where guitarist Marcelo Fromer resided, demonstrating the band's commitment to adapting its repertoire for the acoustic format.

Songs

The repertoire of Acústico MTV encompassed tracks from all the band's previous albums, with the notable exception of Tudo ao Mesmo Tempo Agora and Domingo. The album also innovated by including four unreleased songs: 'Os Cegos do Castelo', 'Nem 5 Minutos Guardados', 'A Melhor Forma', and 'Não Vou Lutar', each performed by one of the four vocalists from the line-up at the time. The latter three were already old compositions, resurrected for the project. The album featured significant special guest appearances, such as the Argentine Fito Páez, Marisa Monte, the Jamaican Jimmy Cliff, and former member Arnaldo Antunes. On the CD version of 'Televisão', Rita Lee and Roberto de Carvalho made an appearance, while the video version featured Fito Páez. Marina Lima recorded a musical vignette for 'Cabeça Dinossauro', and singer Maria Bethânia was even invited for 'Miséria', but cancelled her participation. Lyrical particularities also stand out, such as in 'Go Back', which features a Spanish version with verses by Pablo Neruda added by Sérgio Britto, and 'Homem Primata', with Britto inserting verses by Bob Marley. The track 'Pra Dizer Adeus' was chosen for radio promotion. Interestingly, 'Os Cegos do Castelo' was meant to be the third single, but the song 'Nem 5 Minutos Guardados' spontaneously gained radio airplay before its official release.

Legacy

Acústico MTV generated a polarised critical reception. While Luiz Antônio Ryff, from Folha de S.Paulo, considered the work 'excellent' and praised the energy preserved on the CD, others, such as Pedro Alexandre Sanches, labelled it a 'commercial ploy' and criticised the 'tackiness of the strings'. Álvaro Pereira Júnior, in turn, was even more scathing, classifying it as 'the worst of 1997' and accusing Titãs of being a 'fake band'. However, a poll with Folha readers elected the album, the show, and the band as the best of the year, and 'Pra Dizer Adeus' as the best song. Despite this, in 2018, journalist Lucas Brêda from Vice magazine, in a list featuring 31 of the project's 33 albums, chose Titãs' Acústico as the worst Acústico MTV. Commercially, the album was a resounding success, selling 180,000 copies in less than a month, reaching 700,000 by August 1997, becoming the best-selling album of Titãs' career at the time. By October of the same year, the one-million mark was surpassed, culminating in a diamond certification with over 1.7 million sales. This achievement positioned it as the second best-selling album in the Acústico MTV series, trailing only Kid Abelha's release. The project's success surprised the band itself, which noticed a 'radical renewal' in its audience, attracting more young people and women. Sérgio Britto stated that, in that year, Titãs were perhaps the most popular group across all genres, solidifying the band's position in the Brazilian music scene and influencing the trend of special guests in future Acústico MTV editions.

Rankings

Tracks

Credits

A&R

Max Pierre

Arranged By, Conductor

Lincoln Olivetti

Producer

Paulinho Tapajós

Written-By

Jorge Ben, Toquinho

Bass

Dadi, J. J. Lucrécio

Crew

Patrícia Scotolo

Crew [MTV], Directed By

Ric Ostrower

Crew

Fabrizio Martinelli

Crew

André Mantovani

Crew

Valter Pascotto

Crew

Zico Goes

Crew

Cris Lobo

Crew [MTV], Executive-Producer

Adilson Tokita

Crew

Eder Peres

Crew

Lara Andrade

Crew

José Wilson Fonseca

Crew

Anna Butler

Crew

Ana Cláudia Barbieri

Crew

Miguel Lopez

Crew [MTV], Management [Gerente de Promo], Graphics

Jimmy Leroy

Crew

Ana Surani

Crew

Flávia Pinho

Crew

Juliana Lewkowicz

Crew

Edgard Ribeiro

Crew

Juliana Maia

Crew

Loudness

Crew

André Garrido

Crew

Marcelo Sabóia

Crew

André Gustavo, Maurício Alves

Drums

Eduardo Helbourn, Gustavo Schroeter

Image Editor

Michael Canno

Musician [Músicos Convidados], Cello

Alceu De Almeida Reis, Iura Ranevsky, Marcelo Salles, Marcio Mallard

Musician [Músicos Convidados], Clarinet, Flute

Dirceu Leite

Musician [Músicos Convidados], Coro

Renato Corrêa, Roberto Corrêa, Ronaldo Correa

Musician [Músicos Convidados], Oboe

Carlos Prazeres

Musician [Músicos Convidados], Percussion

Armando Marçal

Musician [Músicos Convidados], Saxophone, Flute

Leo Gandelman

Musician [Músicos Convidados], Surdo

Gordinho

Musician [Músicos Convidados], Tenor Saxophone, Flute

Jose Carlos Bigorna

Musician [Músicos Convidados], Trombone

Serginho Do Trombone

Musician [Músicos Convidados], Trumpet

Bidinho

Musician [Músicos Convidados], Viola

Frederick Stephany, Jesuina Passaroto, José Ricardo Taboada, Marie-Christine Springuel

Musician [Músicos Convidados], Violin

Antonella Pareschi, Carlos Eduardo Hack, Carlos Moreno, José Alves, João Daltro, Mariana Salles, Michel Bessler, Paschoal Perrota, Paula Prates, Ricardo Amado, Rogerio Rosa, Walter Hack

Musician

Bernardo Bessler

Other

Barney

Percussion

Joãozinho Da Percussão, Neném Da Cuica

Piano

João Roberto Vandaluz, Lory Cesar

Edited By

Enrico Romano

Mastered By

Ricardo Garcia

Mixed By

Flavio Senna

Mixed By

Paulo Penov, Yuri Kalil

Recorded By

Flavio Senna

Recorded By

Guilherme Medeiros

Recorded By

Flavio Senna, Guilherme Medeiros

Artwork

Gê Alves Pinto

Graphic Design

Christiano Menezes

Management

Ricardo Moreira

Photography By

Marcos Hermes

Analyses

Discogs

Acústico MTV – Discogs

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