Passarinho Urbano

Joyce

1976

Cover of Passarinho Urbano
Top 100

Why This Album Matters

Feminina, Joyce's seventh studio album, released in 1980, represents a significant milestone in the artist's career. The record stood out for featuring songs that quickly won over the Brazilian public, such as "Clareana", which became a national success after its performance at Festival MPB 80, and other popular tracks like the title song "Feminina", "Essa Mulher" and "Mistérios". Its relevance extends beyond the national scene, with a notable rediscovery in the 1990s by English DJs. The instrumental-vocal "Aldeia de Ogum", in particular, found a new audience on dancefloors across Europe and Japan, solidifying the composer's presence on international stages.

Recording

The visual concept of Feminina is a distinctive element, with the cover art signed by photographer Luiz Fernando and his wife Luhli. The image portrays the singer without make-up, conveying an authenticity that aligns with her artistic essence. Joyce describes that, although the guitar does not visibly appear in the photo, its presence is felt through her gaze, characteristic of a musician's connection with their instrument. The album's logo, suggested by Luhli, also became iconic, incorporating a stylised guitar from the letter 'f' in the title, and establishing itself as a visual trademark of Joyce herself.

Songs

Feminina's repertoire is marked by the diversity and the melodic and lyrical strength of its compositions. "Clareana", one of the album's greatest successes, exemplifies Joyce's ability to create songs that resonate deeply with the public. In addition to this, the title track "Feminina", "Essa Mulher" and "Mistérios" are examples of songs that quickly became popular. The instrumental-vocal "Aldeia de Ogum", in turn, transcended borders and genres, being embraced by international DJs and introducing Joyce's work to a new generation of listeners worldwide.

Legacy

The repercussion of Feminina was extensive and lasting. The song "Clareana" not only became a nationwide success after its memorable performance at Festival MPB 80, but also consolidated Joyce's presence in the Brazilian music scene. Internationally, the album experienced a significant rediscovery in the 1990s. English DJs were responsible for taking the track "Aldeia de Ogum" to dancefloors, which resulted in opening up a new and vibrant audience for the composer in both Europe and Japan, reinforcing the timelessness and universality of her music.

Rankings

Tracks

Credits

Co-producer

Gloria Piccioni

Directed By

Giancarlo Governi

Vocals

Joyce

Bass

Azeitona

Coro

Azeitona, Joyce, Mutinho, Márcia

Drums

Mutinho

Guitar

Joyce

Percussion

Azeitona, Joyce, Mutinho, Mutinho

Production Manager

Sergio Bardotti

Engineer

Massimo Becagli

Mixed By

Plinio Chiesa

Cover, Design

Beppe Madaudo

Photography By

Raoul Doni

Books

Analyses

Discogs

Passarinho Urbano – Discogs

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