Marku

Marku Ribas

1973

Cover of Marku
Top 100

Why This Album Matters

Marku, released in 1973, is a unique album that solidifies the innovative musical proposition of Marku Ribas, an artist who challenged categorisations and enriched Brazilian music with his multicultural vision. The album stands out for a pioneering fusion of rhythms, incorporating Afro-Caribbean, Afro-Brazilian, and Afro-American elements, creating a sound that transcends geographical and stylistic boundaries. This solo debut work by Marku Ribas is a testament to his creative freedom and his ability to integrate samba, funk, soul, Latin jazz, and other genres into a vibrant and complex sonic tapestry. Ribas's exuberant musicality and charismatic presence are evident in every track, revealing an artist ahead of his time, who blazed trails for polyrhythm and experimentation. It is a work that captivates with its originality and the depth of its references, offering a rich and multifaceted listening experience.

Context

The album Marku was recorded between 1972 and 1973, during a period when Marku Ribas was on holiday in Brazil, following significant experiences abroad. Before this solo release, Marku had already undergone notable musical transformations, influenced by his time with the group Batuki in France (1968 to 1970) and, subsequently, in the Caribbean (1971 to 1975). This context of cultural exchange and rhythmic research positioned him as a musician with an expanded perspective on the African diaspora and its sonic manifestations. The effervescence of Brazilian soul, which was gaining strength during the military dictatorship, also served as a backdrop for the emergence of artists like Marku, who, alongside other pioneers like Jorge Ben and Wilson Simonal, paved the way for a new sound.

Recording

Marku was recorded in 1972 and released the following year, 1973, by the Copacabana + Underground label. The recording took place at Estúdios Reunidos, with sound engineering by Milton Rodrigues. Artistic direction was handled by Cesare Benvenuti, with musical supervision by Leo Peracchi, while the arrangements were credited to the renowned Erlon Chaves. Marku Ribas was responsible for vocals, acoustic guitar, and percussion on the album, demonstrating his multifaceted talent. Although many talented instrumentalists participated, several of them were not credited in the original recordings.

Songs

The album features ten tracks, all composed by Marku Ribas, with the exception of folk adaptations. Among the highlights, the song "Zamba Ben" is particularly notable, being one of the biggest classics of 1970s dance parties and considered a samba-rock anthem. Other notable tracks include "5,30 Schoelcher", "O Adeus, Segundo Maria", "N'Biri, N'Biri" (adapted from Angolan folklore), and "Pacutiguibê Iaô". The album's sound is enriched by the participation of legendary Brazilian jazz musicians, such as Wilson das Neves and Pascoal Meirelles on drums, Tenorio Jr. on keyboards, and João Donato, who contributed piano and orchestral arrangements. MPB diva Miúcha also lent her voice in harmonies on several songs, adding another layer of sophistication to the work. Marku's lyrics and compositions explore diverse themes, permeated by the influence of the African diaspora and the celebration of Afro-Brazilian culture.

Legacy

Marku solidified Marku Ribas's reputation as one of the most inventive artists in Brazilian music. The song "Zamba Ben" not only became a cult classic at 1970s dance parties, but was also widely sampled by DJs and re-recorded by various bands, attesting to its lasting impact. The album is recognised as one of the most unique and profoundly 'funky' works of its style, blending Brazilian soul with funk-rock and Nuyorican salsa influences. Critical reception over time has been largely positive, with the album receiving an average of 4.57 out of 5 stars in user ratings on Discogs, and an average of 76 out of 100 for its tracks on BestEverAlbums.com. Contemporary artists such as Ed Motta are declared fans of Marku Ribas, and Motta even released a compilation of his compositions, entitled Zamba Ben. Marku's inclusion among the 100 best Brazilian music albums reflects its unquestionable artistic value and cultural relevance.

Rankings

Tracks

Credits

Arranged By

Geraldo Barbosa

Orchestrated By, Engineer

João Donato

Producer

Marku

Producer

Paulo Rocco

Written-By

Marku

Backing Vocals

Ana Maria, Georgiana De Moraes, João Donato, Marku, Miucha

Vocals, Engineer

Marku

Accompanied By

Conjunto Nosso Samba

Baritone Saxophone

Aurino Ferreira

Bass Guitar

Luizão Maia

Berimbau

Marku

Bongos

Hermes Contesini

Caixa, Congas

Pascoal Meirelles

Clavinet

João Donato

Congas

Marku, Wilson das Neves

Congas

Ariovaldo Contesini, Hermes Contesini, Marku

Congas

Wilson das Neves

Cowbell

Ariovaldo Contesini, Marku, Wilson das Neves

Drums

Aladim, Mamão, Pascoal Meirelles, Wilson das Neves

Electric Piano

João Donato, Tenorio Jr.

Electric Piano

Tenorio Jr.

Flute

Copinha, Jayme Araújo, Jorge Ferreira Da Silva, Oberdan Magalhães

Ganzá

Marku

Guitar

Chiquito

Percussion, Effects

Marku

Production Manager

Talmo Scaranari

Synthesizer

João Donato, Tenorio Jr.

Tamborim

Geraldo Bongô

Tenor Saxophone

Luizinho, Macaé, Zé Bodega

Timbales

Adilson, João Donato

Triangle

Marku

Trombone

Edmundo Maciel, Gesse, Manoel Araújo

Trombone

Manoel Araújo

Trumpet, Flugelhorn

Barreto, Carlos Darci, Niltinho

Viola

Marku

Wood Block

Marku

Engineer

Don Lewis, Luigi Hoffer, Luiz Da Urca

Technician

Brás, Paulinho Chocolate

Technician

Vitor Farias

Artwork

Adilson, Antonio Jose Castilho, Roberto Do Monte

Graphics

Garrafa

Layout

Pedro Lopes

Photography By

Oswaldo Micheloni

Podcasts

Marku Ribas - Marku (a.k.a. Underground) (1973) | ALBUM REVIEW

QUER QUE EU RESENHE? · André Marx

18 min·2 Aug 2021

Em sua volta ao canal, André Marx fala sobre o grande e genial Marku Ribas, e resenha o essencial discaço "Marku" (também conhecido como "Underground", no vídeo ele explica o porquê), de 1973. Sejam bem-vind@s ao Canal/Podcast QUER QUE EU RESENHE? e esperamos que vocês gostem.

Videos

Marku Ribas - Marku (a.k.a. Underground) (1973) | ALBUM REVIEW

QUER QUE EU RESENHE?

Gremlin Markus reviews Godzilla vs Megalon (Another Remake)

Baleigh Cravens

Books

Analyses

Armazém Geral: Marku Ribas

arzengeral.blogspot.com

Underground: disco essencial do musico Marku Ribas, lançado em 1973, com arranjos do maestro Erlon Chaves, traz pérolas musicais como a maravilhosa "5,30 Schoelcher", som impecável e letra memorável: "raios solares entram na minha mente, iluminando o coração / e meu espírito contente me mostra a direção do mar", "N' Biri N ...

Marku Ribas - Marku (a.k.a. Underground) (1973) | ALBUM REVIEW

ivoox.com

Em sua volta ao canal, André Marx fala sobre o grande e genial Marku Ribas, e resenha o essencial discaço "Marku" (também conhecido como "Underground", no vídeo ele explica o porquê), de 1973.

Marku Ribas - Marku (1973) | Toque Musical

toque-musicall.com

Conseguiu fazer o disco assim como queria. Aqui, o grande destaque é a faixa "Zamba Ben", música que a cada nova década ganha mais admiração, atualíssima! Este disco, assim como toda a discografia do artista, voltou à tona muito graças ao trabalho de divulgação em blogs e sites especializados.

Marku Ribas - Underground (1973) | A Cena Agitos Culturais

cwblacks.wordpress.com

Marco Antonio Ribas (Marku Ribas): nasceu em Pirapora em 19 de maio de 1947, foi um cantor, compositor e percussionista, dentro de varios estilo diversos como o Soul, Samba, Samba Rock, Jazz, Funk, Reisado, Batuque e ritmos africanos.

MUSICA&SOM: Marku Ribas - Underground - 1973

tabernanovostempos.blogspot.com

Marco Antonio Ribas (Marku Ribas): nasceu em Pirapora em 19 de maio de 1947, foi um cantor, compositor e percussionista, dentro de varios estilo diversos como o Soul, Samba, Samba Rock, Jazz, Funk, Reisado, Batuque e ritmos africanos.

Discogs

Marku – Discogs

discogs.com