Amazonas

Naná Vasconcelos

1973

Cover of Amazonas
Top 100

Why This Album Matters

Amazonas, released in 1973, is a representative work of the initial phase of Naná Vasconcelos' solo career, an artist who would become globally recognised as an authority in percussion. The album emerged during a period when Naná was already consolidating his innovative approach, endowed with an intense curiosity that led him from Villa-Lobos' classical music to Jimi Hendrix's rock. Naná innovated by extracting an unprecedented range of sounds from percussion instruments, his great speciality, and became notable for his talent with the berimbau, an instrument that until then was almost exclusively confined to capoeira. He explored all the potentialities of the berimbau, including superimposing his voice over the sound of the vibrating string to create surprising effects. His style was marked by unusual metrics in jazz, such as rhythms in 5/4 or 7/4, common in the Brazilian Northeast, and by the use of any object that could produce an interesting sound in his compositions.

Context

The release of Amazonas in 1973 occurred at a crucial moment in Naná Vasconcelos' artistic trajectory. After moving to Rio de Janeiro in 1967 and recording with Milton Nascimento, he participated in Quarteto Livre and, in the early 1970s, formed Trio do Bagaço. It was during this period that Argentine saxophonist Gato Barbieri invited him to join his group, boosting Naná's international profile and initiating a long and fruitful career outside Brazil, with performances in New York and Europe, including the Montreux festival.

Rankings

Tracks

Credits

Directed By

Naná Vasconcelos

Producer

Raimundo Fagner

Berimbau, Percussion, Vocals

Naná Vasconcelos

Technician

Ary Carvalhaes, Luis Cláudio Coutinho

Podcasts

168 - Naná Vasconcelos, Amazonas

NAGULHA · Nagulha

54 min·28 May 2026

Episódio comentando o disco Amazonas, de Naná Vasconcelos

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Amazonas – Discogs

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