Egito Madagascar

Olodum

1987

Cover of Egito Madagascar
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Why This Album Matters

Released in 1987, Egito Madagascar is Olodum's first LP, marking the phonographic debut of one of the most important Afro-Brazilian blocos. The album quickly won over the public in Bahia and nationally, driven by the success of the song "Faraó". This inaugural work not only introduced the group's vibrant and contagious sound to Brazil, but also served as a declaration of their roots and purposes. Egito Madagascar was conceived to honour African ancestry, celebrating "Mama África" and revealing to the world Olodum's genesis, from primal drumming to the influences of African deities and cultures, expressing the richness and strength of Afro-Brazilian identity.

Context

Olodum was founded on 25 April 1979, in Maciel-Pelourinho, Salvador, Bahia, initially as a carnival bloco to provide leisure for local residents. From 1983, it also consolidated itself as a non-governmental organisation of the Brazilian Black movement, working on socio-community fronts. With a strong commitment to combating racial discrimination, the group stimulates self-esteem and Afro-Brazilian pride, advocating for the civil and human rights of marginalised people. The release of Egito Madagascar in 1987 took place against this backdrop of cultural effervescence and social engagement from the group, which sought to express its identity and message through music.

Songs

The track "Faraó" was the major highlight of Egito Madagascar, elevating the album to considerable success in Bahia and across the country. The song exemplified Olodum's ability to blend rhythms and narratives that celebrate African culture. The album's repertoire, as a whole, reflects the central idea of honouring the group's roots and "Mama África". The compositions aim to show Brazil and the world Olodum's origin, exploring ancestral drumming and the influences of African deities, elements that would become hallmarks of their musical identity.

Legacy

Egito Madagascar was the catalyst for Olodum's recognition in the music scene, marking the beginning of their rise to fame. The resounding success, especially with the song "Faraó", projected the group beyond Bahia's borders, making them known throughout Brazil and, shortly after, internationally, as a prominent Afro-Brazilian percussion group. Following the album's release, Olodum undertook extensive tours across various European countries, Japan, and almost all of South America. Their notoriety opened doors for significant collaborations with world-renowned artists, such as Paul Simon on the track "The Obvious Child" (1990) and Michael Jackson on "They Don't Care About Us" (1996), solidifying their global reputation and the dissemination of their unique blend of rhythms including African drumming, reggae, samba, and Latin rhythms. The innovation of Neguinho do Samba and Mestre Jackson, responsible for creating the "samba-reggae" that characterised Olodum's sound, also had its foundation during this period, paving the way for many of the group's subsequent successes.

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Egito Madagascar – Discogs

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