Sivuca

Sivuca

1974

Cover of Sivuca
Top 100

Why This Album Matters

Although the provided text does not detail a specific album titled 'Sivuca', it highlights the importance of the artist's contribution to the creation of one of MPB's most emblematic songs, 'João e Maria'. The melody, composed by Sivuca in 1947, is a testament to his early musical talent and his ability to create timeless works. The song, with its delicate waltz, illustrates the sensitivity and melodic richness that characterise Sivuca's work, serving as a focal point for appreciating his compositional mastery.

Context

The genesis of the 'João e Maria' melody dates back to 1947, a period prior to its popularisation and collaboration with Chico Buarque. Sivuca's original composition remained in his personal archive for almost three decades before being revisited and gaining the lyrics that made it famous. This time lapse reveals a curious journey for the song, which awaited the right moment to emerge and captivate the public.

Recording

The track 'João e Maria' was recorded with Sivuca playing the accordion, adding his characteristic instrumentation to the melody he himself composed. The best-known version was released on Nara Leão's album Os Meus Amigos São Um Barato in 1977, featuring Chico Buarque's vocals.

Songs

The melody of 'João e Maria', created by Sivuca in 1947, is a little waltz that Chico Buarque described as 'children's music', inspired by a dialogue between children. Chico Buarque's lyrics, composed in 1976, lend a playful and imaginative character to the melody. A peculiar detail is the line 'e o meu cavalo só falava inglês' [and my horse only spoke English], which intrigued even Chico himself, being interpreted by Francis Hime as a characteristic of a 'very well-behaved horse'. The song has an earlier history, with different lyrics by Rui Moraes e Silva, entitled 'Amanhecendo', recorded by Nadja Maria, a fact unknown to Chico Buarque until he was later approached by a woman after a show.

Legacy

The song 'João e Maria' achieved great popularity when it was included in the soundtrack of Rede Globo's telenovela Dancin' Days in 1978. The success led to confusion over the complete authorship of the music, causing Sivuca to have to publicly clarify, during his shows, that the lyrics were by Chico, but the melody had been his for a long time. The song had a resurgence in 2012 with a version by Larissa Manoela for the telenovela Carrossel, consolidating its status as a classic of Brazilian music.

Rankings

Tracks

Credits

Producer

Dave Collins

Vocals

Cindy Kimball, Sue Cummins

Acoustic Bass, Electric Bass

Charlie Chappelear

Drums

Sadiq Shabazz

Keyboards, Guitar, Accordion, Percussion, Vocals, Producer

Sivuca

Percussion

Angel Allende

Soprano Saxophone, Alto Saxophone, Clarinet, Flute

Morris Goldberg

Engineer

Jeff Zaraya

Art Direction

Jules Halfant

Management

David Wilkes

Photography By

Jerry Wainwright

Books

Analyses

Discogs

Sivuca – Discogs

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